Mandolin Rain - Bruce Hornsby and the Noisemakers

As eclectic careers go, few people have made as many stops along the way as Bruce Hornsby. While never the biggest seller commercially, he has constantly strived to reinvent his sound while continuing to hone his songwriting craft. Now, 32 years after he released his first record, Hornsby can choose from hundreds of songs to create a great concert. Bruce Hornsby was a late bloomer in the musical world. After graduating from Miami University in 1977, he worked for a number of years at 20th Century Fox and amidst small club bands around LA. It wasn't until 1986 that he released his first album with his band the Range. With the song "The Way it Is" reaching #1, the band received the Grammy award for Best New Artist and had other hits with "Jacobs Ladder" and "Mandolin Rain". Hornsby, however, wasn't satisfied with the pop rock he was creating and starting in the 90's, he began incorporating jazz into his tracks. While the hits waned and the Range split up in 1991, Hornsby continued to write and produce records composed of a number of genres. He also began writing songs for other artists including Leon Russell, Bonnie Raitt, and Huey Lewis. Hornsby even played with the Grateful Dead for a couple years which added to his improvisation skills. His piano based work was beloved with his fans but once again, Hornsby desired a new direction. In 2007, he united with bluegrass player Ricky Skaggs and released more folk and bluegrass material. These days, he releases just about anything he wants while continuing to go on tour with his band the Noisemakers.

Bruce Hornsby is another one of those artists whose records don't reveal the full talent of the individual. His opener were the Wood Brothers. Hailing from Atlanta, the folk-blues band were quite good although their 75 minute set was a bit long for a band who have no big hits or albums. Nonetheless, the trio were great musicians and have a pleasant sound. Hornsby's performance was striking for a number of reasons. He is the antithesis of a hits guy and even has the audience tell him what songs to play. He's not afraid to completely change musical direction from song to song and delights in the improvisational nature of his accomplished band. Hornsby's voice isn't what it used to be but his piano playing more than makes up for it and his relaxed demeanor quickly settled the crowd in. I was amazed at the musicality of the songs and his complex arrangements. It's actually quite hard to put him in a specific group of artists beyond saying he's an exceptional songwriter. Hornsby is the type of artist who probably could've had many more hit records if he wanted to but instead he followed his artistry to the core. There's absolutely nothing wrong with that and he can rest assure that his music will always have listeners, including me.

My favorite part of the show was when he played his dulcimer towards the end of his set. I've always thought it was a beautiful instrument and the songs were great!

Looking forward to more shows in the future!

DC

Bruce Hornsby

The Wood Brothers

Isn't She Lovely - Motown the Musical

Few music corporations have become so popular as Motown. More than just a big company like Columbia or Capitol, Motown was a cultural institution that was beloved by millions of people in the 60's and 70's. Through their unique art of creativity, they developed incredible artists and appealed to all demographics. Although Motown is no longer independently owned, they were for a few decades the largest African American business and continue to have huge popularity. Formed in 1958, Motown founder Berry Gordy began accumulating artists and recording them in a small building in Detroit. Smokey Robinson soon joined him as a creative and performing artist and by 1962, they began churning out hits at a rapid pace. From the Supremes to the Temptations, the company sold millions of records and many singers like Diana Ross and Marvin Gaye became household names. While the hits slowed in the 70's, the company was revitalized by groups such as the Jackson 5 and the Commodores. Gordy was forced to sell the company in the 90's but he remains an iconic businessman and inventor. Fast forward 20 years to 2013 and the Motown Musical debuted on Broadway. The jukebox musical received 4 Tony nominations and the large crowds proved that many people still wanted the music.

In many ways, this was my type of musical. A historical subject, great music, and a great production. But for some reason, I wasn't completely satisfied. While the show packs in tons of awesome songs, they often short change the numbers and use them more as scene changes than as integral stories to the plot. "I Heard it Through the Grapevine" was reduced to a 45 second blip and the big artists of the later 70's like the Commodores were simply a two minute sound bite. While the show definitely had a lot of ground to cover, I think they would have created a more satisfying musical experience by cutting the number of songs in half and really giving each one their due. I don't mind the different arrangements but truncating classics seems like a disservice to the music itself. The attachment of many of the songs to social causes also seemed a bit misplaced. It wasn't until the 70's where Motown finally started giving creative control to their artists and before that, Motown was seen a a-political. Having the black panther party march on their recording studio seemed a bit over the top. While the musical overall was successful and has its moments, it felt like many times, they were trying to accomplish too much in a musical that should've had the music as the focus. You can bet that's what Berry Gordy would've wanted.

My favorite part of the show was when the Jackson 5 made their "stage debut" and ushered in a new era for Motown! The child actor was great and for once, they gave the songs some real screentime. Plus who doesn't love the Jackson 5?

Looking forward to more shows in the future!

DC

Soul Legend - Charlie WIlson and Sheila E.

There have been lots of big soul artists over the years but few have loomed as large as Charlie Wilson or Sheila E. Wilson first got his start in the Gap Band. A funk and R&B group, they formed in 1973 in Tulsa, Oklahoma and were composed of brothers Charlies, Ronnie and Robert Wilson. While their earlier records didn't sell, they eventually scored hits in 1979 with songs "I'm in Love" and "Shake". They had their biggest chart success with The Gap Band III in 1980.  That  album yielded multiple R&B hits and they rode that success throughout the rest of the decade. It was in the 90s when Wilson began to create his own music and make a name for himself. In 2005, he released his most popular album Charlie, Last Name Wilson, and had hits in the adult contemporary department. His more mature music was different that that of his band but still enjoyable by his fans and he has built a loyal following over the years. His solo and band music have also been sampled by a variety of hip-hop and R&B artists which has assured the longevity of his fame. Sheila E. was a contemporary of WIlson and she got her start as a percussionist and singer for the George Duke Band. in 1978, she met Prince and this foreshadowed a number of collaborations between the two artists. She joined him during his Purple Rain era and he helped her score her first chart success with "The Glamorous Life" and "A Love Bizarre". While maintaining her own career, she's also served as the musical director for several big name artists while performing for movie soundtracks, tv shows, and concert tours. She's one of the most popular percussionists in history and has been known as the "Queen of Percussion" for quite some time.

Being a drummer myself, I'm a little ashamed that I had never heard of Sheila E. Percussionists don't often get their due and it's easy to see how she has become so popular. She's of course an incredible drummer but it's her charismatic personality and ability to lead a show even when she's behind the drums that I think has buoyed her career. Her songs are naturally more percussive in nature and she's happy to have her band jam while she goes between songs. She has a good voice and her music is perfect for dancing and having a good time. Wilson's set was more sleek and polished but his ability to employ both solo material and songs from his old band allows for plenty of material. Much of the crowd knew every word of his songs and his band was great at getting the crowd pumped up.  I didn't know any of his songs unfortunately but I still had a great time and this was just a fun show to witness. Nearly everyone was on their feet and Wilson should be delighted to see his music still strike a chord with a lot of people!

My favorite song that Wilson performed was "I'm Blessed". I'll admit I had to look the song up but it had a great groove on stage and even though he released the song just two years ago, everyone seemed to know it! Not many artists his age can play new songs with that kind of reaction so it was great to see.

Looking forward to more shows in the future!

DC

Charlie Wilson

Sheila E. 

What the kids are listening to - Dr. Dog and Manchester Orchestra

Indie rock isn't really a mainstay at Wolf Trap so when newer (read this century) come to our theater, it's kind of a big deal. I'm apparently out of step with the times since I didn't know either of these artists so I was interested to hear what they sounded like. Manchester Orchestra is neither an orchestra nor from Manchester but were in fact formed in Atlanta in 2004. Led by singer Andy Hull and lead guitarist Robert McDowell, they released their debut album in 2006. Their music has a harder rock tinge than many other indie contemporaries and they have success playing big festivals like Bonnaroo and Coachella. Their song "The Gold" has been their biggest hit so far and they have sold a considerable amount of records considering their independent label status. They were joined by fellow indie group Dr. Dog. Hailing from Philadelphia, the got together in 1999 and are led by bassist Toby Leaman and guitarist Scott McMicken. They started writing songs together in 8th grade and quickly got a band together to play gigs around Philly. Althgouth their earlier records have an avant garde aspect, their latest album has a more pop orientation that is a little more approachable. They have released an impressive 10 albums and feature heavily on the indie charts. Both artists have contrasting styles; Dr. Dog relies more on their song craft and instrumentation whereas Manchester Orchestra are rockers to the core. It made for an interesting evening.

Not knowing these artists at all, I had no predilections for either band but I quickly took to Dr. Dog more. Their opener, Alex G, was unfortunately pretty bad. I'm normally pretty forgiving but their vocals and rather interesting arrangements just sounded off. Manchester Orchestra is a much better band and as a group they have a harder sound live than on their records. It's not really my forte and Hull's singing borders on 90's metal at some points. Nevertheless, they had a good sound and jammed very well. Dr. Dog closed the show and they were the light at the end of the tunnel for me. They were the best singers and performers and their songs were a lot easier to latch on to. Their stage aura was more typical of indie bands and I think people were a lot more receptive to them than the other groups. I can't hide my predispositions and Dr. Dog really allied more with my tastes but overall it was a good mix of music and a genre that doesn't frequent Wolf Trap that often.

I didn't really have a favorite part of the show since I didn't know any of the songs but Dr. Dog's performance as a whole was such a breath of fresh air that I needed to get through the 4 hour show.

Looking forward to more shows in the future!

DC

Dr. Dog

Manchester Orchestra 

Dream On - Steven Tyler and the Loving Mary Band

Not many people have lived a life like Steven Tyler. Since he joined Aerosmith, he's created an identity of debarchuary, excess, and a lot of crazy. So it surprised many when, in 2016, he released a somewhat low-key country album and began touring with a new band. With Aerosmith on hiatus, Tyler has been doing shows under his own name with support of the Loving Mary Band. With this new stage aura, sometimes you forget that for over 40 years, he's been the lead singer in an iconic hard rock band. Formed in Boston in 1970, Aerosmith began performing shows around the city and gained a big following around New England. They released their first album in 1973 but didn't gain mainstream success until their album Rocks in 1975. He and guitarist Joe Perry formed an impressive songwriting duo while gaining the moniker of the "Toxic Twins" due to their drug filled exploits. It was during this time that Tyler acquired his status as sex icon loved by rebellious teens who were too cool for David Cassidy. While the band lessened in popularity in the early 80's, they regained their foothold on the rock world in the late 80's and 90's with a new sound. Songs like "Love in an Elevator" and "Rag Doll" introduced the band to a new generation and assured Tyler a place as a rock icon. Aerosmith continues to tour to this day on their seeming neverending farewell tour while Tyler has embarked on his own path with his new songs.

While Tyler has aged like the rest of his rock contemporaries, he has more energy than many of the other old timers I've seen and more amazingly, his voice hasn't really changed. While I expected a toned down version of his songs, the Loving Mary band actually held their own and are filled with expert musicians and singers. While none of them play like Joe Perry, they're more adaptable than Tyler's own band and this allows him to take more risks with arrangements. He did play some of his country material but even that didn't seem out of place amongst "Sweet Emotion" and "Walk this Way". While I expected a disjointed and somewhat askew performance, Tyler delivered like few can and maintained his sex persona to the delight of his fans. He may be 70, but Steven Tyler is gonna "rock till he drops". There's a miracle if I ever saw one.

My favorite part of the show was when he performed "Dream On". The signature song of one the best rock bands in history, Tyler didn't change the arrangement much from the original version. But it was his incredible vocals that really brought the song to a new level and it's incredible to see that the 'Demon of Screamin' is still rockin hard!


Looking forward to more shows in the future!

DC

Steven Tyler

Backpack Kid - Les Ballets Trockadero de Monte Carlo

I've said it many times and I'll say it again; one of the best parts of this job is that I'm able to see shows that I would probably never see on a regular basis. While I appreciate ballet and regard it as an incredibly impressive form of art, I normally don't seek it out in most places. Regardless if you like ballet or not, the dance corp that came to Wolf Trap on Tuesday is sure to entertain you. Founded in 1974, Les Ballets Trockadero de Monte Carlo is an all male drag show that combines traditional ballet styles with modern dancing and some comic  relief. They started in New York City performing in small lofts off broadway. Since then, they have broadened their scope and fan base while going on tour all over the world. One of their biggest performances were at the Royal Variety Performance in London and they continue to incorporate new acts into their routine. While men in ballet is not unusual in and of itself, they dress and in what many would call women's costumes and do their choreography often en pointe. For us non-ballet dancers, this is the traditional technique where dancers stand on their toes. All of this makes them one of the most unique ballet troupes out there. 

I honestly had no idea what this show was about. Reading the program, it took me a little while to realize that they were satirizing Russian ballet protocol with fake names and bios. Even the intro spiel was done in jest. The dances itself were mostly serious but also had more "modern" dance moves that made for extra entertainment. So yes, the backpack kid dance made an appearance as did a few other viral dance moves. While you would assume they would feel out of place in the middle of Swan Lake and other famous suites, in fact the dancers pulled it off quite well while maintaining their unique stage personality. To be sure, the ballet itself was top notch and they're definitely high level professional dancers. But just when you feel like you could be at the Kennedy Center watching any other ballet troupe, they end their routine by fast walking in a line off the stage like they're a bunch of mom's walking in Orange County. If that isn't artistic expression, I don't know what it. 

My favorite part of the show was when they danced to Stars and Stripes Forever to close the performance! It was a perfect combination of impressive ballet and comic interpretations and it really exemplified what they're all about. 

Looking forward to more shows in the future!

DC 

Les Ballets Trockadero de Monte Carlo

A Drop of Golden Sun - Sound Of Music Sing-A-long

Few musicals have become so entrenched in American and world culture than Sound of Music. Since its release in 1965, it has become one of the highest grossing musicals in history and the soundtrack has sold over 20 million copies worldwide. It also catapulted Julie Andrews to stardom and made her and Christopher Plummer household names. Filmed in and around Salzburg, Austria in 1964, the story is of coursed based on the actual Von Trapp Family that immigrated to the US during World War II. They later became famous for their live performances and travelled around the world until 1957 when they went their separate ways. The story was first catalogued by Maria Von Trapp and made into a broadway show in 1959. the show won 5 Tony awards and became the basis for the film 6 years later. The Von Trapp lodge in Vermont has become a beloved attraction for fans and their story continues to live on thanks to the vitality of the movie and story. As recently as 2013, a live version on NBC was broadcast featuring stars such as Carrie Underwood and Stephen Moyer. The soundtrack itself has been a steady seller and was the #1 selling album in the US and the UK in 1965. This was a year when rock bands like the Beatles, Rolling Stones, and Beach Boys were at their height so this achievement is all the more remarkable, All this is to say that the Sound of Music has become a cultural phenomenon and remains beloved to millions of people.

I hadn't seen this movie in a long time and forgot how feel good it is. The songs of course are amazing and the people that came were completely immersed in the story no matter how many times they've seen it. Before the show, there was a costume contest that featured every character and setting used in the film. We also gave every person goody bags that had things related to the movie such as edelweiss and poppers. This created an extravaganza of shorts that even I started to embrace. I'll be the first to tell you I'm not a musicals person but Sound of Music has achieved a place in popular music that few will ever reach. As someone who has been to Salzburg and seen many of the sights in the film, I appreciated it all the more.

My favorite part of the movie has always been when they do the hanging puppet show. Everyone is so happy and it really shows the magic of the film in a joyous way.

Looking forward to more shows in the future!

DC

New Orleans Night - Harry Connick Jr.

Quite a few times, artists have reflected on their roots and attempted to incorporate that into their music. Justin Timberlake did it rather unsuccessfully with his most recent album and musicians like John Lennon and the Rolling Stones have also released records in this vain. Harry Connick Jr, being of New Orleans ancestry, decided to do it on his latest record and his show at Wolf Trap last night. Born and raised in the Big Easy, Connick Jr. first learned piano from great pianists Ellis Marsalis and James Booker. His first couple albums were mainly instrumental releases and it wasn't until 1988 that the world heard his voice for the first time. He later recorded a number of songs for movie soundtracks and released a number of successful albums in the 90's and 2000's. His style does vary but much of his success is based on the big band and swing music popularized in the 40's and 50's by Sinatra and Dean Martin. That being said, his recent album delves into the soul and R&B of his hometown and sounds quite divergent from his earlier output.

This show wasn't anything like I expected. When swing artists usually come to the theater, it's usually a quiet affair with a small band and a restrained stage presence. Connick, however, was quite the opposite and presented a detailed look into the artistic history of New Orleans: complete with tap dancing, jazz funerals, and brass bands. While he did sing of his standard cuts, he was fully committed to embracing his southern roots and acted more as a presenter of a distinct heritage. This resulted in an interesting, if a little disjointed performance. While there were definitely highlights of the show and his showmanship provided the energy needed for the sharp transitions in the performance, at times it felt like he was trying to do too much in one evening. I half thought he was going to start making jambalaya on the stage. Call me old fashioned, but I kind of wanted him to do more of his stripped down standards that has graced most of his records. With that being said, his talent is unquestionable and his piano playing in particular is some of the best i've seen in a pop artist.  He also wasn't afraid to cede the spotlight and he highlighted many other people throughout the night. While many people know him for his sappy singing and dapper persona, Connick Jr. also has a less refined side that he was happy to show off. Maybe I just need to go to New Orleans and I'll understand.

My favorite part of the performance was when Connick Jr. and the rest of the band marched around the theater playing "When the Saints Go Marching In". Connick Jr. was playing the bass drum and the slightly surprised audience were treated to a jazz funeral right before their eyes!

Looking forward to more shows in the future!

DC

Harry Connick Jr. 

Rock Opera - Roger Daltrey Performs the Who's Tommy

One of the real travesties about modern technology is the destruction of the album format as a means of disseminating music. With streaming services like Spotify, you no longer have to hear the entire album to pick out songs that you like, you can simply click on them. Gone are the days of the unknown and surprising. Singles have taken over the music industry and album oriented rock has fallen by the wayside. So it was nice when I got a refresher on what a cohesive album sounds like. By 1968, the Who were fed up with their smashing-guitars act and the 3 minute singles they put out every few months. Principal songwriter Pete Townshend wanted to diversify their music and put out a record that told a whole story over many tracks. Recorded and released in the Spring of 1969, Tommy quickly became the artistic triumph of the Who. The legend of Tommy, however, didn't fully materialize until the band went out on tour and began to play the whole album from start to finish. From Woodstock to the Metropolitan Opera House, the Who took their masterpiece across the world and elevated their status as the greatest live act in the world. Roger Daltrey in particular matured exponentially as a frontman during this tour and the microphone twirling singer found a new level during those 1969-1970 performances. Tommy has sold 20 million copies and while the Who released debatingly better albums (Who's Next is my personal favorite), they never achieved the artistry and sophistication of this seminal album. Daltrey stayed with the band till their their first disbandment in 1982 but he and Townshend continue to perform as the who sans Keith Moon and John Entwistle. Daltrey has also released a few solo albums, including one last year and has no plans to retire.

Already one of my favorite albums, I was super excited for this show and to see one of the greatest rockers of all time. This performance was nothing short of magical. Daltrey performed with the Wolf Trap Orchestra and this truly turned Tommy into a grand production. The album has always sounded better live and this time was no exception. Daltrey's voice carries the music like no other and he allows the band and orchestra to augment the lyrics. Songs like "I'm Free", "Sally Simpson", and "See Me Feel Me" explode off the stage and would make Pete Townshend proud. The show finished with great performances of "Baba O'Riley" and "Who's Next". While these seemed like obligatory numbers. there's no denying their power and Daltrey's command of the audience. Much like he did in 1969, he embraced his rock star persona and became the legend he will always be.

My favorite part was when Daltrey finished the opera with "See Me Feel Me". Again, I had one of those moments that I only get a couple times a season. Seeing the singer of the Who perform that song had such an anthemic quality that I'll never forget.

Looking forward to more show!

DC

Roger Daltrey 

The Greatest Spectacle - Barry Manilow

What comes to mind when you hear the name Barry Manilow? For me it was Vegas. I always saw his big billboard driving into the city and his name lit up above the big casinos on the strip. In many ways, Vegas is the perfect place for one of the great showman of our time but he also continues to tour for his rather obsessive fans. Barry Manilow got his start in the 60's writing commercial jingles. The Band Aid and State Farm songs are just a few that he created and it wasn't until 1973 that he released his first album. He soon gained massive popularity with singles like "Mandy" and "I Write the Songs" and became a sex symbol during the late 1970's. Although he did write music, most of his hits were composed by other artist while he often did the arrangements. While he had quite a few hit records, he was never accepted by many critics and music enthusiasts due to his style and schmaltz. While bands like Aerosmith and Led Zeppelin were dominating album oriented radio, Manilow catered to an older and more restrained audience and many people simply didn't get it. Despite that, his fan base is heavily devoted to him and Manilow continues to sell tickets in Vegas and elsewhere. At 75, he has no plans to stop recording and playing the music that he's stayed true to for 45 years.

I fully thought I was going to hate this show. His opener was sax-man Michael Lington. He's a gifted player and has a good stage presence which you often don't find with instrumental acts Manilow then came on and I braced for the worst.  I'm a rock n' roll guy at the core and the name Barry Manilow reminds me of elevators and plastic surgery. At first, I struggled to comprehend the appeal to the man and the music. But as I listened to his show both nights, I realized his showmanship and aura is what continues to drive people to his shows. Backed by a fantastic band, his songs retained their timeless charm and romantic qualities that made them hits 40 years ago. I haven't seen fans so devoted to a person in a long time. One of the patrons told me this was her 198th show and another said she's been following him since 1982. It's a testament to his appeal for sure. While I'm not going to go out and buy a Manilow album, I will advocate for his dedication to the music that made singers like Sinatra famous. While that type of music may never regain the popularity it once held, thanks to artists like Manilow, it'll never fade away either. As someone who says he likes all types of music, I have to respect that.

My favorite part of the show was when he sang my favorite Manilow song, "Can't Smile Without You". It has everything I normally hate in music but somehow, I can always sing along when I hear it. Damn you Barry!

Looking forward to more shows in the future!

DC

Barry Manilow 

Michael Lington 

Pop Fun - Fitz and the Tantrums and X Ambassadors

Ok I know how I gushed over the Alison Kruass concert the other night but this concert might have been just as good! It was different in just about every way but the beauty of music is that it can draw so many emotions while just being plain fun. X Ambassadors formed in 2009 in Ithaca, New York and were first noticed by Imagine Dragons frontman Dan Reynolds. They released their first album, VHS, in 2015 and scored hits with songs "Renegades" and "Jungle". They announced a 2nd album should be released this year and in the meantime they have released a few stand alone singles. In addition, they performed at the National Boy Scout Jamboree and of course, with the USC Trojan Marching Band! Yes, I performed with them my senior year and we accompanied them on "Renegades" and "Collider". It was a great experience and definitely one of the highlights of the season for me. Fit and the Tantrums formed in 2008 and are led by singer Michael Fitzpatrick. They played the clubs around L.A. before they released their first album, Pickin up the Pieces, in 2010 and since have two more albums to their name. Their sunny pop has been featured in numerous commercials and shows as they have slowly made a name for themselves. They also have the distinction of playing with the USC Trojan Marching Band although I wasn't there because clarinets were not invited (don't get me started). Needless to say I knew a lot about these bands and was super excited to see them.

There was just a different feel at Wolf Trap last night. The Caps winning the Stanley Cup may have been a factor but I think the beautiful night and the upbeat music just made everyone let loose and enjoy themselves! Mikky Ekko was the opener and while his music didn't have the same confidence and uniqueness of his tour mates, his set was solid starter for the other groups I saw X Ambassadors about three years ago and I think they've actually gotten better live. Full of energy and emotion, their music was meant for the stage and their hour long set was a perfect amount to fully embrace their artistry. As musicians, they don't use technical skill but rather enthusiasm and vigor. Front man Sam Harris has a great voice and they're a band who could fit in both small clubs and hugh arenas. Fitz and the Tantrums might be the most upbeat band I've seen and I couldn't help by smile the whole time! I've always wanted to see them and their songs are just so easy to listen to. Their colorful nature definitely captured Wolf Trap at its best and its another example how a night here can just come together and be blissfully harmonious.

My favorite part of the show was when X Ambassadors played their song "Joyful". It's my favorite song by them and even though it's slower than their normal stuff, I just think its beautiful and they performed it perfectly.

Looking forward to more shows in the future!

GO CAPS GO

DC

Fitz and the Tantrums 

X Ambassadors 

Mikky Ekko

Music Icons - Alison Krauss and David Crosby

There's always 1 or 2 concerts during the season that leave me completely awe-inspired by music and the arts. I had it with Paul Simon 2 years ago and Yo Yo Ma in 2014, for example. Yesterday was another one of those shows and I'd put it up there with one of the best I've seen at Wolf Trap. David Crosby has been a rock icon for over 50 years and first got his start with the Byrds back in 1964. The band had a number of hit singles and Crosby wrote their hit "Eight Miles High". After leaving them in 1968, he joined with Graham Nash and Stephen Stills to form Crosby Stills and Nash. Crosby wrote "Guinevere", "Almost Cut My Hair" and "Deja Vu" for the band and was part of the unique three part harmonies that graced their albums. They played at Woodstock in 1969 and were the quintessential countercultural group of the late 60's. After a temporary collaboration and album with Neil Young, the band broke up in 1970 and Crosby has been on his own since. During this time and with CSN, he became an outspoken cultural figure and political activist. While he has had problems with drugs and the excesses of the 1970's, he is a rock survivor and continues to perform in support of his new album. Alison Krauss has been recording and performing since 1987 when she was only 16. She was first backed by her band the Union Station and together they have released a number of albums while Krauss also releases her solo material. Instrumental to the resurgence of bluegrass music to mainstream culture, Krauss has done a number of successful collaborations, soundtracks and performances that have made her the central figure in bluegrass and folk. Some of her most famous works include the soundtracks for the films Cold Mountain and O Brother, Where Art Thou, as well as her duet album with Robert Plant in 2007. She has the 2nd most Grammy wins of any artist in history and while her roots reside in bluegrass, her palate has expanded to include most forms of contemporary pop and folk.

This was one of the most beautiful shows I've ever heard. Alison Krauss is an incredible artist and I was so drawn into her show that I forgot about the other 7050 people in the audience at one point. Her songs ranged from ballads to mid-paced numbers but she didn't amps to electrify the crowd. One of my favorite parts was towards the end of the show when she sang some hymns with just her and two guitarists. This really touched me because that's how folk and bluegrass started, people singing spirituals and her beautiful interpretations encapsulated what the genre is all about. David Crosby, for his part, also had a great performance and ran through new and old songs like the well versed veteran he is. I've seen him live twice before but he seems less fiery than he used to be and and his band isn't quite as loud. Still, songs like "Ohio" and "Long Time" have the same spark they did 48 years ago and Crosby made no ambiguities about his feelings concerning the current administration. At the end of the show, Krauss and Crosby came out together and, holding the lyrics in hand, sang a rough version of "Teach Your Children". The imperfection was completely masked however by the presence of these two larger than life artists and this will certainly be a concert I'll never forget.

My favorite part of the show was when Krauss did an acapella version of "Down in the River to Pray". There wasn't a sound throughout the theater and it was one of those "wow" moments I get here every once in a while. Makes the job worth it every time.

Looking forward to more shows in the future!

DC

Alison Krauss

David Crosby 

Funky Town - Chaka Khan and Nile Rodgers

What do you get when you mix the Queen of Funk and one of the most sought after producers in music history? A fun dance show and a great time at Wolf Trap! Chaka Khan and Nile Rodgers are legends in the music industry and both have innovated funk and dance music for over 40 years. Chaka Khan got her start in the mid 1970's with her band Rufus. Their single "Tell Me Something Good" helped elevate her status and allowed her to launch a solo career in 1978. Her biggest hit was in 1984 with "I Feel For You", written by Prince. The song was also influential in that it was one of the first hit R&B songs to feature a rapper. She has won 10 Grammys throughout her career and continues to collaborate with other artists up to this day. Nile Rodgers initially began his career with the band CHIC. A combination funk-disco group, he and bassist Bernard Edwards wrote and produced all the songs for the band and their music has become emblematic of the funk sound popularized during that time. Their songs have also been sampled in countless hip hop and rap hits over the years and that has led to their continued impact. While still in CHIC, Rodgers began writing and producing songs for other artists. If you've ever listened to Lets Dance by David Bowie, Like A Virgin by Madonna, We Are Family by Sister Sledge or even "Get Lucky" by Daft Punk, you're witnessing Rodger's expert handiwork. Those credentials alone are enough for anyone's career but he has produced many other tracks for a wide range of artists. Production doesn't often get its due, especially in music, and it's only a testament to his incredible abilities that Rogers has been given the reigns by top artists for over 35 years. In 2011, he was unfortunately diagnosed with cancer but he happily announced last night that he is cancer free and is recording and playing now more than he ever has!

This show was by far the most energetic of the season. While the theater was only 30% full, the patrons that came were treated to some of the best dance songs of our time. Chaka Khan opened the show and while her voice bordered on screaming/incomprehensible lyrics sometimes, her mere stage presence and vigor captivated the audience regardless. She saved her best songs for last and she and her band kicked it into another gear for those numbers. She might not have the best pure voice of her peers, but she loves to perform nonetheless and she retains the support of her starpower. Nile Rodgers had a more subtle charisma but his band was fantastic and he performed many of the songs that he helped write and produce. That helped keep the crowd engaged as his greatest hits include songs by Diana Ross, Madonna, and INXS. At the end of the show, he even invited over 50 people to come on to the stage and create a mini dance party that quickly spread to the rest of the park. Rodgers seems completely at peace with his career and now simply wants to spread the good vibes the best he can. We're all the luckier for that.

My favorite part of the show was when Rodgers performed "Le Freak". Always one of my favorites, the groove has everyone on their feet!

Looking forward to more shows in the future!

DC

Nile Rodgers 

Chaka Khan 

Country Gang - Jake Owen

The first country concert of the year! It was hard to escape country music when I was in North Carolina so I've grown accustomed to it and daresay I have grown to appreciate the twang and endless songs about beer, trucks and jeans. Luckily, each of these artists have hit the big time on the charts and form a pretty nice touring package. Jake Owen began his career in 2006 when he released his first album, Startin With Me. He has since followed with four other albums that have all reached the top 5 of the country charts. He writes nearly all of his songs and has a more rock oriented sound that falls right in line with many contemporary country singers today.  

His openers were Jordan Davis and Chris Janson. Davis was more a traditional country pop singer who had a pleasant, if un-distinctive voice and repertoire. Janson was something totally different. As the youngest person ever inducted into the Grand Ole Opry, Janson has certainly made a name for himself already. His songs are distinctive as they fully embrace the redneck culture that has pervaded over the country music scene and he isn't afraid to show off his trailer park roots. Janson is a rather eccentric performer but knows how to get a crowd going and I liked him for his unique presence that I think a lot country singers would consider over the top. Jake Owen was more restrained but still a top notch performer. He engaged the audience fully and even went out into the lawn which is super rare. He invited a few people on stage to watch the show up close and personal and seemed to really enjoy performing in every way. His songs were meant for the stage and his fans were standing and singing regardless of being wet or dry (it rained during much of the show). His stage set was bigger but he also did an acoustic set that showed off his talent on a more personal level. Owen has some serious musical chops and it was one of the better country shows I've seen! 

My favorite part of the show was when he sang his song "Good Company". It has more of a reggae style that I really like and it's just a feel good summer song! Keep playin' Jake! 

Looking forward to more shows in the future!

DC 

Jake Owens 

Chis Janson

Jordan Davis 

Revolution - Classic Albums Live Presents: The White Album

1968 was one of the most turbulent years in America history. Amidst a presidential race, an unpopular war, and a countercultural revolution, music was becoming one of the most engaging forms of artistry and some of the biggest bands were at their peak. The Doors, the Rolling Stones, and Cream were just some of the big names and politics was firmly intertwined with popular music.. It was during this time that the Beatles recorded their only double album. While the world was in a series of flux, so was the band. Early in 1968, the Beatles went to India to study meditication with the Maharishi Mahesh Yogi. During that time, they composed a number of songs and returned to the studio in the spring to record the album. Unfortunately, tempers flared as the artistic dispositions of the members began to assert themselves more aggressively. Ringo temporarily quit the band and Yoko Ono's constant presence and belittling comments in the studio was met with hostility from Paul and George. Despite this serious divide, the were able to record 30 very different songs while maintaining their status as the biggest band in the world. While no singles, were released from the album, songs such as "While My Guitar Gently Weeps", "Blackbird" and "Dear Prudence" have become classics and serve as a testament to the fruitful compositions created during the White Album sessions. The album was released in November to critical and commercial acclaim, although many critics derided the band for not making a big enough political statement. The Beatles never really needed to do that though because their music wasn't just for one demographic. Instead, they were creating music for any listener and perhaps it's that reason they continued to outsell any other act of the era.

As always, Classic Albums Live did a great job recreating the sound of the album. The Beatles are known for their meticulous and complex studio work and it's no wonder they stopped touring in 1966 since much of this music is hard to duplicate on stage. Nonetheless, the musicians did the best they could and really brought the songs to life. While some of the filler tracks took away from the performance, in the end it was an honest representation of the music. The White Album has gone down as one of the greatest albums of all time and while not every song is dynamic, there's enough to satisfy any appreciator of popular music.

My favorite part of the show was when they did "While My Guitar Gently Weeps". I always wished the Beatles had done one more tour so they had a chance to perform this one live but alas, I can only imagine.

Looking forward to more shows in the future!

DC

Lyrical Genius - John Prine

I often try to listen to artists before they come to Wolf Trap in order to get a sense of their musical style and what they tend to sing about. But try as I might, John Prine's songs seemed to come out of nowhere. I wasn't sure what to think of his music so decided to wait till the concert to make my final judgement. Thank god I did. John Prine began is career playing clubs in Chicago and released his first album in 1971. He soon became known for his poignant and often humorous lyrics. While his music leans more towards the country-folk genre, his songs span a wide variety of subjects and styles. Joining in the singer-songwriter movement of the 1970's, Prine released a number of critically acclaimed albums including Sweet Revenge and Bruised Orange. Fellow songwriters Johnny Cash and Bob Dylan espoused his lyrical prowess and although Prine never experienced the chart success of other acoustic acts, his music endured as he became a fixture on the concert scene for over 45 years. He has won three Grammys during his career and even made a remarkable recovery from cancer in the 2000's. On a more local level, he has performed at Wolf Trap 18 times although this was my first time seeing him. 

Having not really known Prine beyond simple name recognition, I wasn't sure what to expect honestly. His opener was Margo Price, a country singer-songwriter whose songs were more upbeat than Prine's and later came out to do a couple duets with him. Quite early in the show I began to marvel at his ability to take simple stories and expand them into heartfelt songs. Backed by a three piece band and later by just his own guitar, he ran through over 15 songs and a wide range of topics. While one could say his lyrics aren't as monumental as Dylan or Springsteen, that was never his intention. His songs, were often melancholy on the surface and depicted the harsh realities of life. But his characters always seem to get past it with a laugh and a kick in the butt and Prine has a flair for injecting his songs with just enough optimism to forget about past unhappiness. John Prine never wrote a song  like "Like a Rolling Stone" or "Fire and Rain", but his artistry has been just as compelling through his simplicity, thoughtfulness, and unabashed honesty . For many people, that's all you really need. 

My favorite part of the show was when he performed a newer song of his called "Crazy Bones". Prine, now 71, took on aging with a comical tone that admittingly spoke to much of the crowd. He was happy to oblige.

Looking forward to more shows in the future!

DC 

John Prine 

Margot Price